Musical Moments is a new series where I focus on larger works—whether in orchestration, length, or complexity—and zoom in on small sections for detailed analysis. I will choose these pieces based on what grabs my attention while listening. Once I find an interesting moment, I isolate it and explore why it stands out to me, […]
Les Biches (RM25-6) – Francis Poulenc Read More »
Fourth Species Counterpoint is a type of music composition that focuses on creating counterpoint through suspension and syncopation, which means that notes are ideally held over from one beat to the next, creating a feeling of tension and release. Fourth species counterpoint is arguably the most complex species compared to the previous types of counterpoint
How to Write Fourth Species Counterpoint: A Comprehensive Guide Read More »
Combining 1st and 2nd species counterpoint is where we truly start to unlock counterpoint’s potential as a tool for enhancing our composition skills. At this stage, we move beyond simple exercises and begin to engage in real composition. In 1st and 2nd species, or any species up to florid (5th species) counterpoint, we aren’t fully
Continuing from the foundational work in first and second species, third species counterpoint introduces a more intricate rhythmic structure by pairing four notes in the counterpoint against each note in the cantus firmus. This allows for greater melodic and harmonic development while still adhering to the strict rules that define counterpoint. Recapping First and Second
How to Write Third Species Counterpoint: A Comprehensive Guide Read More »
Continuing our study of species counterpoint from last week, where we looked at counterpoint in the first order / first species, this week we will look at second species counterpoint. Counterpoint is the art of combining distinct melodic lines in a harmonious manner, forming something of the backbone of Western classical music. Second Species Counterpoint,
How to Write Second Species Counterpoint: A Comprehensive Guide Read More »
First species counterpoint, often referred to as “note against note” counterpoint, is the foundation of contrapuntal composition. It (First Species Counterpoint) involves writing one note of counterpoint for each note in the cantus firmus (fixed melody). By mastering first species counterpoint, students build a solid understanding of melodic and harmonic principles that are essential for
How to Write First Species Counterpoint: A Comprehensive Guide Read More »
A video composition lesson looking at textural variation as a device for melodic development.
How to repeat melodies without them getting boring… [Video] Read More »
An analysis of Debussy’s Arabesque No. 1, looking at structure, melody and harmonic language.
Arabesque No. 1 – Claude Debussy (Music Composition Analysis) Read More »
Unpicking the serenity of Pärt’s Spiegel I’m Spiegel: Tintinnabuli technique is recapped along with the identification of other creative constraints.
Spiegel im Spiegel – Arvo Pärt Read More »
An analysis of Elgar’s Romance for Violin and Piano: Salut D’amour. Harmony, melody and structure go under the microscope.
Salut D’amour – Edward Elgar (Music Composition Technique Analysis) Read More »