How to repeat melodies without them getting boring… [Video]
A video composition lesson looking at textural variation as a device for melodic development.
How to repeat melodies without them getting boring… [Video] Read More »
A video composition lesson looking at textural variation as a device for melodic development.
How to repeat melodies without them getting boring… [Video] Read More »
An analysis of Debussy’s Arabesque No. 1, looking at structure, melody and harmonic language.
Arabesque No. 1 – Claude Debussy (Music Composition Analysis) Read More »
Unpicking the serenity of Pärt’s Spiegel I’m Spiegel: Tintinnabuli technique is recapped along with the identification of other creative constraints.
Spiegel im Spiegel – Arvo Pärt Read More »
An analysis of Elgar’s Romance for Violin and Piano: Salut D’amour. Harmony, melody and structure go under the microscope.
Salut D’amour – Edward Elgar (Music Composition Technique Analysis) Read More »
How does John Williams create such compelling melodies? Let’s find out.
https://www.youtube.com/watch?v=3RYl4GcKe5Y&ab_channel=AnyOldMusic Today, I thought we’d take a look at a piece that captured my eye, because it was recently uploaded by Cmaj7 as a score video, to YouTube, and score, to IMSLP. The piece is the opening Nocturne movement from Scènes de la Fôret (Forest Scenes) by French composer, Mélanie Bonis. A composer with a
Nocturne from Scénes de la Fôret – Mélanie Bonis Read More »
Late in 1932, Sergei Prokofiev was approached by the Saint Petersburg (formerly Leningrad) based film studio Belgoskino Studios and commissioned to score their upcoming film Lieutenant Kijé. To be produced and released in 1933, it came at a time where Prokofiev, who lived in Paris and had been away from his native country for nearly a
Troika from Lieutenant Kijé (suite) (1934) – Sergei Prokofiev Read More »
A nifty way in which Bach modulates, particularly from a minor to a major mode, is by simply pivoting around the tonic of the previous minor key. In the final movement “Badinerie”, of his Orchestral Suite No. 3, for instance, he will often give the tonic chord a cape, turning it into a super-tonic chord
https://youtu.be/2Rtlqm0nSU4 If someone were to ask me what my favourite film was, I think I would be hard-pressed to answer with something other than 2010’s How to Train Your Dragon. The reasoning is vast should reason be required for doing something like declaring a favourite film. However, in one sense, my choice boils down to how
In their 1976 composition, Für Alina, for solo piano, Arvo Pärt introduced the world to his algorithmic technique, tintinnabuli. At first glance, the technique’s use in Für Alina looks similar to a two-part first-species counterpoint exercise. On closer inspection, however, one can see the two voices move in similar or oblique motion. Using two types
Arvo Pärt – Für Alina (Bitesize Music Composition Analysis) Read More »